The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. “Working for the Knife" is her brooding, melancholic first major single back from this respite, and acts as an incisive warning about how much of our identity we give to our life’s greatest undertakings, and who we’re giving it up for. After a long and grueling world tour supporting her breakthrough album Be the Cowboy, the singer took time off in 2019, saying she needed a break from the “constant churn” of performance. Mitski would like to have a word on that. Album DescriptionThe saying goes that if you do what you love, you’ll never have to work a day in your life. See More Your browser does not support the audio element. While Goddess could have used some better editing, it still reveals glimpses of an artist who could shape the sounds of the times instead of just reflecting them.
While tracks such as "Change" and "Waiting Game" still sound good, newer songs like the brashly romantic "Fuck Em Only We Know," the high-drama "Beggin for Thread," and gently intimate "Warm Water" are much more immediate. Goddess also includes several songs that already appeared on the London EP, and their inclusion pushes the album's length to well over an hour, adding to the feeling that it could use more focus. On songs like the title track, she crafts a persona that's sexy, brooding, and more than a little dismissive on "Brain"'s chorus ("I can see you struggling/Boy, don't hurt your brain/Thinking what you're gonna say"), she's a lot dismissive.
Like some of her inspirations and contemporaries, Banks' music sometimes gets too murky for its own good, but Goddess' best moments allow her personality to shine. That feeling is emphasized by how much musical ground the album spans as it ranges from piano ballads (such as the Justin Parker-produced, Adele-esque "You Should Know Where I'm Coming From") to starkly electronic tracks (the tense, finger-snapping "Stick"). Since she combines so many familiar-sounding elements, it's not surprising that Goddess sometimes sounds a little generic. On her debut album, Goddess, Banks sounds like the logical conclusion of several 2010s musical trends: her moody, confessional lyrics echo Lorde, Lykke Li, and Lana Del Rey, while the downtempo sonics recall cutting-edge R&B talents like Tinashe, FKA Twigs, and her former tourmate the Weeknd. Purchase and download this album in a wide variety of formats depending on your needs.
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